“Popular” was written by the composer Stephen Schwartz for the first act of the 2003 musical Wicked. The song was released as part of the accompanying cast recording on December 16, 2003. It was originally recorded on November 10, 2003, by American actress Kristin Chenoweth, who portrayed Glinda in the musical. Popular with That song was popular with people from my father’s generation. You are now leaving the Puerto Rico region of Banco Popular de Puerto Rico’s web page and being redirected to the Virgin Islands’ region. You are now leaving Pornhub Slots Banco Popular de Puerto Rico’s web page and being redirected to Popular Bank.
Daw praised the song as “campy”, “hilarious”, “technically impressive” due to “Grande’s killer voice”. For the extended ending of the song, Grande freestyled a set of dance movements in a long hallway set, including a new high kick. For the sequence, costume designer Paul Tazewell created an outfit for Glinda that was a “pink, dotted peignoir with spiraling circles out of ruffles” to reflect the playful and frivolous vibe of the song. “Popular” was the first song shot for the film, and posed the challenge of creating a “huge, grand number” in the smallest set of a dorm room. It was sent to US radio stations on November 26 by Republic and Verve Records as the lead single from the soundtrack. American singer and actress Ariana Grande performed a rendition of “Popular” as Glinda in the first part of Universal Pictures’ two-part film adaptation of Wicked, which was released on November 22, 2024.
Anything that is popular is liked by many people. The adjective popular describes something that is well-liked or admired by a lot of people. First recorded in 1375–1425; late Middle English populer, from Latin populāris; see people, -ar 1 Similarly, The Daily Telegraph noted that Grande made the song her own while paying homage to Chenoweth’s performance and asserted that the song alone “proves that Grande was born to play Glinda”. He also lauded Grande’s “comedy chops” for giving Glinda the “outsized vapidity” required for the song and the “stratospheric key-changes” at the end that contributed to its maximalist feel.